| Place | Project | Year |
|---|---|---|
| Berlin | mies stage | |
| Berlin II | (UN)FINISHED | 2021 |
| Bern | Metzgergässchen | 2011 |
| Bihać | save the space | 2016 |
| Bochum | agora/arena | 2013 |
| Boston | para | 2016 |
| Bucharest | barking dog | |
| Chemnitz | lob der menschheit / human praise | 2020 |
| Chennai | university of rivers | 2018 |
| Christchurch | Solidarity Grid | 2013 |
| Cologne I | Sprechers Ecke | 2015 |
| Cologne II | Einsturzstelle | 2016 |
| Duisburg | 3 Szenen für Sculpture 21st | |
| Düsseldorf I | des Archives (présence d’absence) | 2018 |
| Düsseldorf II | Freiraum | 2020 |
| Graz | (DYS)(U)TOPIA | 2018 |
| Hannover | lost artefacts, lost presence | 2021 |
| Herning | Translocating ELEVHØJHUS – socle du monde | 2017 |
| Jerusalem | public entrance, Damascus Gate | |
| Katovice | Ghosttram | 2013 |
| Krefeld | mies Modell 1:1 | |
| Leipzig I | white space/ Kritisches Denken braucht Zeit und Raum | 2014 |
| Leipzig II | save the space | 2018 |
| Leverkusen I | leverkusen_transfer | 2017 |
| Leverkusen II | park stage | 2021 |
| Ludwigslust | DYS(U)TOPIA / UNFINISHED | 2017 |
| Marfa | Marfa Floater silver / gold | 2009 |
| Marl I | les fleurs du mal (Blumen für Marl) | 2014 |
| Marl II | non_lieux – vier, fünf (Nicht-)Orte in Mar | 2017 |
| Marl III | (BLACKOUT) | 2021 |
| Münster | platform | |
| Oberhausen | future_grid | 2022 |
| Ostfildern | view point | 2016 |
| Pszczyna | DYS(U)TOPIA / UNFINISHED | 2019 |
| Rio de Janeiro | GALERIATRANSPARENTEETNERAPSNARTAILERAG | 2016 |
| Setouchi | in_transition / in_progress | 2019 |
| Sofia | public stage | 2013 |
| Sydney | public seats | |
| Tartu | white space | 2018 |
| Thessaloniki | public square, Thessaloniki | 2015 |
| Toronto | swingstage | 2011 |
| Venice | Intervento | 2009 |
| Vienna | schwerer Nebel | |
| Washington | 'Drums for the President of USA‘, (Radetzky-March) | 2017 |
| Wolfsburg | fieses Licht | 2012 |
| Wuppertal | MetaLicht | 2012 |
| Chronicle since 1977 |
Projects